Upcoming Agent Spotlight Interviews & Guest Posts

  • Sally Kim Agent Spotlight Interview and Query Critique Giveaway on 3/26/2025
  • Etsy Loveing-Downes Agent Spotlight Interview and Query Critique Giveaway on 4/7/2025
  • Carey Blankenship-Kramer Agent Spotlight Interview and Query Critique Giveaway on 4/21/2025
  • Rebecca Eskildsen Agent Spotlight Interview and Query Critique Giveaway on 4/23/2025
  • Analía Cabello Agent Spotlight Interview and Query Critique Giveaway on 5/14/2025
  • Isabel Lineberry Agent Spotlight Interview and Query Critique Giveaway on 5/21/2025

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. I have been updated through the letter "N" as of 1/26/2024 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Debut Author Interview: Lucia Damisa and Amazon Gift Card Giveaway and IWSG Post

 Happy Wednesday Everyone! Today I’m excited to have debut author Lucia Damisa here to share about her YA Fantasy, A Desert of Bleeding Sand. I follow Lucia’s blog Path to Publication, which is a great resource full of advice from writers and agent interviews. I’m excited to watch her become a debut author. I really enjoy fantasy historical stories, and I’m looking forward to starting Lucia’s series.

Here’s a blurb from Goodreads:

In this inventive fantasy debut perfect for fans of Dance of Thieves and The City of Brass, West African Mr & Mrs Smith collide in a magical desert palace.

Mercenaries are raiding academies and taking students. A traitor in the palace might be the mercenaries’ source of intel. Zair, a half-aziza and elite military student, is sent to infiltrate the coronation ceremony under disguise to find the traitor. Zair is desperate to succeed and save her little sister from the mercenaries, and maybe also prove worthy of the elite soldiers’ badge, despite the hatred against her tribe and their magical abilities. But then she encounters Dathan, a clever rival spy also after the traitor for intentions unknown.

A threat to each other’s goals, Zair and Dathan begin working against each other in a game of wits, desperate to find the traitor first while avoiding the consequences of spying in the sentient palace. When courtiers start to turn up dead, however, both realize their individual skills might be no match for the traitor’s. In a glittering Sahara Desert palace where hunger is for power and night magic guards its halls, Zair and Dathan must team up to find the kingdom’s greatest traitor, or watch everything they love burn.

Before we get to Lucia’s interview, I have my IWSG Post.

Posting: The first Wednesday is officially Insecure Writer's Support Group Day.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

The awesome co-hosts this month are: Jennifer Lane, L Diane Wolfe, Jenni Dorner, and me!

Optional Question: What fantasy character would you like to fight, or go on a quest with, or have a beer/glass of wine with?

I’d pick two characters from fantasy stories and two from contemporary favorites. My fantasy choices are Raisa in The Demon King by Cinda Williams Chima and Sage from The False Prince by Jennifer Nielsen. Both are memorable characters who are underdogs fighting to save their kingdoms and are written by some of my favorite authors. My contemporary choices are Mia from The Front Desk and Lina in Finally Seen, both by Kelly Yang. These are immigrant middle graders fighting to make a better life for their family, friends, and community. Kelly Yang is another favorite author of mine, who is an incredibly inspiring person.

Interview With Lucia Damisa

Hi Lucia! Thanks so much for joining us.

1. Tell us about yourself and how you became a writer. 

Hi everyone! My name is Lucia Damisa and I’m the author of A DESERT OF BLEEDING SAND. I’ve been reading author interviews on Literary Rambles since I started this wild ride to publication four years ago, so it’s a full circle moment to be here as an author! I’ve been writing full-length novels since I was thirteen. Back then, I was in an Air Force boarding school and there wasn’t much to fill our free time. So I started writing and would dedicate a notebook to a particular story, fill it up with ink, and then my friends would read and chat about them. I had to stop writing in college and while I served in the Naval Headquarters because of time, and writing became a thing 

I ‘used to do years ago’. But after my service, I started freelancing as a lifestyle writer and found myself with lots of time to spare. I picked up writing books again and literally couldn’t stop pouring out story after story for a year. I then found out that even continents away, you could get published, and being an author became a dream of mine!

2. Where did you get the idea for A Desert of Bleeding Sand?

The seed for A DESERT OF BLEEDING SAND came when I read my first rivals-to-more fantasy book. I’d known of enemies-to-more, but that book introduced me to a perspective where the characters don’t quite hate each other but challenge and need to beat each other. I was captivated and wanted to explore the sabotage, and angst, and urgency of the trope. But I had no plot or setting to place the characters. Shortly after, the elections took place in my country and we started to hear of terrorists going to schools to abduct dozens of students for ransom. From toddlers in kindergarten to college students, no age group was spared. It was reminiscent of the abduction of over 100 girls from a school in 2014 that led to the Bring Back Our Girls movement. I felt crushed and helpless; these were my mates. It could’ve been me or my siblings. I needed a way to speak out. To speak up for us. So I took these characters I’d had in my head for months and started to write this satire-like story where the youths could actually do something. Where Dathan and Zair could go to the head of leadership and fight to free their mates. It’s a book that tries to hold up a mirror and show the ways a country can fail its youths, while helping my peers feel seen in my small way.

Your Writing Process

3. That’s an inspiring way to come up with a story idea. What was your world-building process like? How did the fact that the setting is a desert impact the world you created?

World building is one of my favorite parts of writing because it takes me from the little corner by my bed where I write to grand worlds! I wanted to explore a desert setting in this book because prior, I’d explored mountains and rivers and forests. However, it was tricky for a historical fantasy since Nigeria doesn’t have large deserts. But I do live in the north, which has desert-like terrain, and I scraped and scoured until I found an article that said the Sahara Desert—which I’ve always been enthralled by—might extend to Nigeria in a few decades. I was delighted that it wasn’t farfetched to link Nigeria with the Sahara Desert, so I ran with it! It’s definitely been a change but I love exploring a desert setting.

Also, the main kingdom in A DESERT OF BLEEDING SAND is inspired by Nigeria’s tribal structure, but while my country has hundreds of beautiful tribes, I drew from many of them to create five tribes in my book, to highlight how tribalism can also stunt a nation’s progress. Externally, Nigeria also faced colonialism and slavery decades ago, and so I built the other kingdoms in the book from the historical versions of nations that colonized Nigeria, both for ‘history lessons’ and also to explore what happens after nations break free of colonial rule. Do they get their stuff together and go on to thrive? Or do the leaders drop the ball so the land fares worse?

Other inspiration came from Nigerian and African mythology such as the azizas (African fae) from Dahomey, and some of my favorite Biblical stories!

4. Your world building is so cool. A Desert of Bleeding Sand is part of a five-book series. How did you plot it out and how much of the rest of the series have you plotted out? What advice do you have for writers wanting to write a series?

I’m an outliner who loves to intertwine subplots in my series, so immediately after I finished the first book, I started drafting the second. At the time, I didn’t even have an agent yet, much less a book deal! But my goal when I start writing is to complete my characters’ arc. After writing book one, I made these detailed outlines of about 30-50k words for the subsequent books in the series. By the time I finished book 2, I signed with an agent, and then I wrote book 3 while book 1 went on submission. After book 3 finished, I was unable to process being done. I couldn’t say goodbye to the series I loved so much! I was delighted when a new idea for the series came—an idea that stretched into two more books. So it was a wild timeline that spanned two years with me writing the first three (and a half) books without the guarantee of a book deal, and then finishing book four after I signed with my publishers. I’m yet to write book 5, the epic finale, but I have finished outlining it!

My advice is rather unusual: you don’t have to wait until you sign a book deal to draft or plot out your sequels. I know of writers who waited to sign a deal first and got so overwhelmed with the pressures of publishing that writing the next book was like pulling teeth. Or some who couldn’t go back to book one to make changes, or open threads to explore in subsequent books because book one was way past tweaking by the time they started writing book two/three. Some of my best series have big reveals in book three that had been foreshadowed in book one, chapter five. And you can’t do that if you haven’t planned well in advance. 

5 How has your story improved through working on edits with your agent and editor? What did you learn about improving your writing from the process?

It’s improved in a major way. In its two-three years before publication, ADOBS underwent rigorous revision. I’m an ‘overwriter’ and my agent at the time was brilliant; she helped me whittle down all the fluff to reveal the heart of the story. We actually trimmed over 12k words of the manuscript! She also guided me in enhancing the emotional and magical areas of the book. By the time we finished revisions, it felt like we’d run a marathon, but I was so happy with the result. I thought the book was pretty much ready after the edit with my agent. Ha. By the time I got to work with my editors, I was shocked by just how much work there was left to do! I was lucky that my book’s structure was sound from the jump, but when you decide to write about military students who are also spies and with a world building as vast, there’s a lot of deep diving needed to make things grounded. My editor was brilliant and helped me with this aspect!

I learned (again) that feedback is super important, especially from people who share your vision for the story.

Your Road to Publication

6. You have a five-book publishing deal, which is rare, especially for debut authors. What was going on submission like and how did you get such a big commitment from your publisher?

Great question! My publishers wanted six books from me from the jump, but as I explained earlier, I initially planned for the series to be a trilogy. Afterward, I had an idea for two more books. I didn’t have an idea for a sixth book (back then), and we decided to sign a five-book series. My publishers are of the belief that when readers love characters, they want to follow them on a long journey across multiple books. So I didn’t have to coax or convince my publishers to sign a pentalogy as I’d feared I would; I’m blessed that it’s what they wanted from the jump.

About going on submissions, it’s one of the most difficult experiences I’ve had! You think querying is tough, and then you go on submissions and querying starts to seem easier. (It’s not.) A DESERT OF BLEEDING SAND got a lot of interests both during querying and on submissions. But unlike querying which ended with three offers of representation, on submissions, the interested editors couldn’t quite get their entire team on board. I was lucky that about six months in, my publishers reached out to me about my book, but I wanted to explore all my options, so I asked for time to decide. I had their offer at the back of my mind through the highs and lows of submissions. After a while, I decided to pull my book out of the submission trenches, rather than proceed on to Adult editors, and accepted my publisher’s offer!

7. What are your tips for working with a publisher without an agent?

Another great question! My tip is to insist on being in the know. When you have an agent, your agent is who you go to with questions about the publisher’s decisions, and this makes it easier to express concerns or disapproval—because there is a mediator. Without an agent, you might be less willing to ask your publishing team questions. But it’s important that you make it clear to your team from the jump that you’re going to ask questions about things you don’t understand or didn’t expect, and that you want to be kept abreast on as many things as possible. Make sure there is an open line of communication. If they refuse, then you might want to reconsider taking the offer!

Promoting Your Book

8. How have you been promoting your book before it was published and what are your plans now that your book has been published?

Since I live a continent away from the hub of publishing, I’m so thankful for the internet that connects readers and writers all over the world. It’s been my biggest marketing tool. I found members for my wonderful street team, the Desert Stargazers, on social media, and they’ve been priceless in sparking excitement for my book. I also enjoy posting ADOBS’ teasers in bookish spaces, and hearing from podcasts and magazines that want to feature me. Now that my book is out, my publishers will keep shouldering most of the technicalities of marketing, but I plan to keep doing what I’ve been to also get word out of the other books in the series!

9. Share about your blog, Path to Publication, and how it can help writers.

When I started on my journey to publication, I devoured everything I could on the publishing world. I especially loved to read old blog posts and interviews of successful authors to see their journeys to publication almost in ‘real time’. I learned a lot. By the time I signed with my first agent, I didn’t want to discard all I’d learned about querying. I decided to start a website where I shared all of this information in an environment that felt welcoming, warm, and even fun. I found other writers who were interested in uplifting fellow writers, and we shared lessons learned firsthand from querying, signing with an agent, going on submission, debuting, etc. The contributors come from different countries of the world, and write in various genres/age groups from picture books to romance to fantasy, mystery and more.

My goal is for writers who subscribe to Path2pub or read our posts to not feel isolated in their journeys, but have a resource that also feels like learning from friends. Recently this year, we held our first pitch event (#P2Ppit) on X and Bluesky, and helped connect writers with literary agents while also celebrating writing.

10. What are you working on now?

I took a brief detour from writing the A DESERT OF BLEEDING SAND series to work on another idea. Drafting it went much faster than I anticipated (114k words in one month, at?) so amid revisions for the ADOBS series, I’m preparing to write the grand finale, book 5.

Thanks for sharing all your advice, Lucia. You can find Lucia at Tiktok, Instagram, Goodreads

Giveaway Details

Lucia’s publisher is generously offering a $15 gift card for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by April 12th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or follow Lucia on her social media sites, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is international.

Upcoming Interviews, Guest Posts, and Blog Hops

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders 

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Monday! 








Honey Bunny Giveaway Hop

 


Happy Tuesday! Today I'm excited to participate in the Honey Bunny Giveaway Hop hosted by MamatheFox and Mom Does Reviews. I hope you're having a good start to April. The weather is warmer here, there’s more sunrise, and I just got back from a fun trip to visit family in Dallas. So, I’m doing good.

Book of Your Choice or Amazon Gift Card
 
I’ve got a lot of exciting newly released MG and YA book choices this month that you might like. You can also choose another book in the series by these authors or a book of your choice. You can find descriptions of these books on Goodreads. Here are your choices:
 



If you haven't found a book you want, you can win a $10 Amazon Gift Card.
 

MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

Giveaway Details
 
To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by April 15th telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops

Tomorrow, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you tomorrow! 

And here are all the blogs participating in this blog hop:
(Linkup closed)
MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

Literary Agent Interview: Sally Kim and Query Critique Giveaway

Today I’m thrilled to have associate agent Sally Kim here. She’s an agent at Andrea Brown Literary Agency.

Hi Sally! Thanks so much for joining us.

About Sally:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.



In 2023, after many years working in children’s book marketing I took a moment to regroup, think about my career path thus far, and determine what the future might hold for me. I felt that there was another proverbial mountain to climb but I wasn’t sure what that might be. Thankfully, I’m surrounded by brilliant friends and colleagues who nudged me in the direction of agenting. Fast forward to several incredible conversations with agents at Andrea Brown Literary Agency and the rest is history! Depending on what you count as my start date, it’s been roughly a year since I joined ABLA, and I’m thrilled with how it’s going so far. I’m learning every day, and I am so happy with my growing client list.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.


I couldn’t be more biased, but I think Andrea Brown Literary Agency is the absolute best, and I count myself lucky to have joined this incredible group of talented agents. All my colleagues are wise, hardworking, and uber collaborative.

ABLA was founded more than 40 years ago here in California. Today, our agents span the country and represent hundreds of gifted authors and illustrators of both children’s and adult literature. To learn more, please go to https://www.andreabrownlit.com/ and follow us on Instagram and Bluesky

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?


I am open to authors and illustrators of board books, picture books, chapter books, and middle grade, fiction and nonfiction. As a newer agent, I am actively looking to grow my client list and find talented people from all walks of life. Lots more below.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?


My taste leans a bit more literary and it’s not surprising that my current client list is strong in that category. To balance things out, I’m also looking for authors and illustrators whose projects have a more commercial bent. But ask me again in a couple months and that could change!

I’ve been telling folks that I’m hungry for smart or goofy (or smart AND goofy!) humorous picture book projects from authors and author-illustrators. I’m also eager to find an author who really understands what it takes to craft an exceptional chapter book story—this is high on my wish list. Also, my profile states I’m not the best fit for rhyming picture books but it’s more accurate to say that I’m waiting for the right one. I feel like it’s coming for me soon! Oh, and I also have a soft spot for wordless picture books.
Lastly and most importantly, I’m trying very hard to build a client list that is diverse in all possible ways. I jump for joy inside when I see someone with a unique background or underrepresented perspective.
What She Isn’t Looking For:

5. What types of submissions are you not interested in?

I’m pretty quick to pass on submissions that fail to center the child’s perspective or those that try to teach a lesson or reinforce a common platitude like ‘just believe in yourself.’

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?


I remind myself pretty often that there are many talented writers and artists out there, but that’s not reason enough to offer representation. Equally important are 1) my connection with the work. Not only should the project be publishable, but I must also feel genuine and enduring enthusiasm for it; and 2) a connection with the creator. When we meet and get to know each other in that first Zoom call, it’s important that we’re compatible in how we communicate, how we envision working together, and a similar vision for their future in publishing.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?


If you had asked me this a year ago when I first started, I would’ve said no. But I’ve been rapidly developing my own approach to editorial feedback. While I’ll probably never be that agent that gives you a 10-page editorial letter, I do strive to give thoughtful feedback on both the big picture and smaller details of any given project. The format in which this feedback is delivered varies, depending on the project and the client and can include email, in-line comments, and/or video conference call.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?


Please query me through QueryTracker (link here). I read and reply to every query!

A standard query letter is great. Tell me about yourself, about the project, a short pitch and/or positioning statement, and comps. Anything more is great, but not necessary.  

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I don’t have hard rules against anything, but I’ll admit I notice when folks skip over the letter, if there are multiple typos, and it’s also not uncommon that people mistakenly query me with an adult book or re-query me with the exact same manuscript, maybe hoping I don’t notice.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?


This varies wildly depending on what else in happening in my world. There are times when I can respond within a few days. Other times, it’ll take 6-8 weeks. In rare exceptions, I take even longer but that’s usually when I’m on the fence about a project and I want to give myself a break to come back and get a second, first impression.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?


Yes, I’m open to authors who have been published before, and I don’t recommend they do anything differently in the querying process. Honesty and fully transparency about one’s background is recommended for everyone.

Clients:

12. Who are some of the authors you represent?


My author clients include Britt Crow-Miller, Amy Reitz, Emilie Boon (author-illustrator), Talitha Morena Moniz, Nicola Schofield (author-illustrator), and Tom Witkowski. I look forward to adding to this list in 2025!

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.

N/a

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.

Read about me on Andrea Brown Literary Agency: https://www.andreabrownlit.com/Team/sally-m.-kim

Query me at https://querymanager.com/query/sallyabla

Follow me at
Bluesky: https://bsky.app/profile/did:plc:lh7ha7unltwskpvaqh27yzo3
Instagram: https://www.instagram.com/sallymkim

Thanks for sharing all your advice, Sally.

Giveaway Details

Sally is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through April 5th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Tuesday, April 1st I’m participating in the Honey Bunny Giveaway Hop

Wednesday, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Tuesday!



Literary Agent Interview: Amy Thrall Flynn Interview and Query Critique Giveaway

Today I’m thrilled to have agent Amy Thrall Flynn here. She’s a senior agent at Aevitas Creative Management.

Hi Amy! Thanks so much for joining us.

About Amy:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.


Hi!  I am happy to be here!  I’ve been an agent for six years, and this is a short history of my path to agenting.  

After graduating from college (major in American Literature, minor in Spanish), I spent a year as a sixth grade English teacher.  Then I moved to Boston to follow my passionate interest in helping to create children’s books.  The books that I loved as a young reader had a profound impact on me, as did my experience sharing literature with students.

I joined the editorial team at Houghton Mifflin Books for Children in 1991—a dream job—at first assisting the department head and then as an acquiring editor.  Houghton Mifflin was the esteemed publisher of classics including the Curious George books by Margret and H.A. Rey, Virginia Lee Burton’s The Little House and Mike Mulligan and His Steam Shovel, the astonishing nonfiction work of David Macaulay, Lois Lowry’s award-winning novels, Chris Van Allsburg’s The Polar Express, and many more . . .

During my 12 years with Houghton, I had the opportunity to train under incredible mentors and to guide dozens of new books to publication (board books and picture books, nonfiction for all ages, novels for MG and YA readers), working directly with writers and the in-house publishing team.  I also continued to study and earned an MA in English.  

Later, when our two children were young, I did freelance editorial work and taught reading in a first-grade classroom.  I also completed an MA in Children’s Literature from Simmons College: a phenomenal program that includes classes held at the Eric Carle Museum of Picture Book Art in Amherst, MA.  

In 2019 I joined Rubin Pfeffer at his Boston-based literary agency, representing writers and illustrators of children’s books.  In 2024 Rubin Pfeffer Content aligned with Aevitas Creative Management where I’m happily continuing my work with wonderful creators.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.


Aevitas Creative Management is a full-service literary agency, home to forty+ agents in New York, Boston, Washington DC, Los Angeles, Detroit, Nashville, London, and Barcelona, representing scores of award-winning authors, performers, thinkers, artists, and public figures.  Aevitas has dedicated departments for foreign and media rights as well as deep expertise in negotiations and contracts.  

The ACM Kids and Illustration cohort includes more than a dozen seasoned agents working exclusively in the children’s book space.  Our collaborative team is supported by a robust social media and website presence that increases visibility for the artists and writers we represent.

As an agent I offer editorial, strategic, and business support to clients, guiding their creative work, preparing submissions, and representing their bests interests with publishing houses.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?


I represent work for children in all categories and ages: from board books through YA.  In fiction, I look for authentic characters, characters who struggle and grow.  I have a particular interest in young picture books that speak directly to the lives of children, nonfiction concepts that potentially overlap with school subject areas including STEAM studies, and compelling, beautifully written fiction for young readers up to age 16.  

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

Innovative structure, approach, and/or voice in all areas.  Propulsive storytelling with clear stakes.  Diverse experiences and viewpoints.  Authentic and vulnerable characters who make mistakes and grow.  Exploration of emotions of all sorts including humor, triumph, and joy as well as challenge, conflict, and grief.  Strong visual potential.  Surprise, insight, and connection.  

Above all, I am passionate about books that support young people in learning about themselves and making sense of the world.  

What She Isn’t Looking For:

5. What types of submissions are you not interested in?


At this time I am not interested in YA science fiction or fantasy.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?


I am eager to fall in love with new projects.  My first review of a new submission is a blind read, to see if I feel a strong pull to the writing/subject.  This is very subjective.  Does the manuscript feel fresh and surprising? Do I want to read it again?  

If yes, I go on to evaluate the submission more critically.  Have similar stories been told before (what are the comps)?  Does this piece do something different and special (what would make a reader choose this book over others on the shelves)?  Does the creator have a strong purpose and point of view?  Does the material speak to an audience of children?

Sometimes I’ll ask a colleague for a second read.  And typically there’s a process of further discovery with the creator (emails and video or phone calls).  What are their long- and short-term goals and expectations?  Are they professional and diligent in their working style, with an openness to feedback and other potential projects in development?  Am I the right partner to help their vision come to life?

Truthfully, agents see many manuscripts that are well written and appealing.  But each agent can only serve a finite number of clients.  Ideally both agent and client feel that next level of personal excitement and commitment to working together.  

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?


Yes, I love to collaborate on manuscript revisions while still leaving room for an editor to enter the project.  This can mean a couple of back-and forth rounds before submission: exploring both big-picture questions and line-level adjustments.  I also enjoy crafting cover letters and fine-tuning these with clients.

An agent is a partner on the road to publication, a bridge or link between writers/illustrators and publishers.  Agents support the creative aspirations of clients, act as a sounding board for questions of all kinds, help to shape submissions and pitches, and work to find the right publishers based on their knowledge of the market.  It’s a collaborative relationship that requires perseverance, flexible thinking, and trust.  

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?


Please submit via Query Tracker: https://QueryTracker.net/query/3360

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I don’t have any specific dislikes.  I tend to skim cover letters and go right to the sample pages or manuscript.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?


I try to respond within 6-8 weeks.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?


Yes, with the same rigorous process of review.

Clients:

12. Who are some of the authors you represent?


Please see the ACM Kids and Illustration website 😊

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.


N/a

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.


Query Tracker works well—thank you.

Additional Advice:

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?


Read lots of books in the area that you are writing in.  Read books out loud and to children.  Study what you think works or doesn’t work and why . . .  Which books do you love?  Join a critique group to build a supportive community and to learn more about both the writing craft and the industry.  Think about how to give and receive constructive criticism and to foster an open and curious mindset.

Thanks for sharing all your advice, Amy.   
 
Giveaway Details

Amy is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through April  5th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, March 28th I have an agent spotlight interview with Sally Kim and a query critique giveaway

Tuesday, April 1st I’m participating in the Honey Bunny Giveaway Hop

Wednesday, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Wednesday!

Literary Agent Interview: Shari Maurer Interview and Query Critique Giveaway

Today I’m thrilled to have Shari Maurer here. She’s an agent at The Stringer Literary Agency.
  
Hi Shari! Thanks so much for joining us.

About Shari:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.



I was a writer, having had a young adult novel (Change of Heart) published, as well as a parenting book (The Parents’ Guide to Children’s Congential Defects. I had also written hundreds of parenting articles for Romper, Patch, and other publications. A few years ago, my agent, Marlene Stringer, approached me about joining her agency. The timing was great and I am lucky to have a fabulous mentor in Marlene. As I started evaluating submissions, it was clear to me that I was gravitating toward children’s books and non-fiction, which probably shouldn’t have surprised me because that’s exactly what I had been writing and in my early career I worked for International Sesame Street.  

About the Agency:

2. Share a bit about your agency and what it offers to its authors.


The Stringer Literary Agency is a full-service agency with offices in Florida and New York, specializing in commercial fiction and select non-fiction since 2008. Marlene and I are both very hands on and help our authors editorially, too.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?


I represent picture books, middle grade, and young adult in both fiction and non-fiction. While I gravitate toward contemporary realistic and dystopian fiction, I’m open to all genres.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I would love to see some magical realism or a fantasy novel. I love a strong, voice-y protagonist and want something that will make me laugh and make me cry.

What She Isn’t Looking For:

5. What types of submissions are you not interested in?

In fantasy, I tend to shy away from the world-building types of novels—fairies, wizards, dragons, etc. are not my thing. 

I’m really open to anything.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?


I want to represent authors and their careers, not just one book. I like when authors are not just open to editorial suggestions, but adept at editing their own work.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?


Yes. I always work closely with the authors to push them to make their stories as strong as they can be. Once I sign an author, I re-read their submission and send them editorial notes. They will do another draft and then, when we think the work is ready, I’ll put together a sub list and an editorial letter and send them out.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?


They should query me via the StringerLit website: https://www.stringerlit.com/

Your query letter is the first thing I read, so make it professional and include a blurb that makes me excited to read your book.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I’m a little old fashioned, but I want to see a true query letter—salutation and all. Include an enticing description and a paragraph about your writing experience and include why you are the best person to tell this story, if that’s applicable.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?


This varies for me. Client manuscripts are always my first priority, so when I don’t have client manuscripts to edit, I answer queries in a few weeks max. Right now, I had a wonderful spurt of clients sending me their work, so I’m a little behind. I’m hoping to catch up soon.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?


Yes, but it’s harder to sell something that’s already been out there. That said, send me your new stuff!

Clients:

12. Who are some of the authors you represent?


T.L. Simpson, Razeena Omar Gutta, Judy Campbell-Smith, Michael Méndez Guevara

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.


No interviews come to mind, but it might be useful to see my Manuscript Wish List: https://www.manuscriptwishlist.com/mswl-post/shari-maurer/

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.

Please query me via the StringerLit website: www.stringerlit.com

Additional Advice:

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?


Read as much as you can in the genre you want to write. Find a critique group and edit, edit, edit till that work is as shiny as it can be. Then be tenacious and query widely until you find someone who loves your manuscript as much as you do.  

Thanks for sharing all your advice, Shari. 

 Giveaway Details

Shari is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through March 29th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com.

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, March 19th I have an agent spotlight interview with Shari Maurer and a query critique giveaway

Monday, March 26th I have an agent spotlight interview with Amy Thrall Flynn and a query critique giveaway

Wednesday, March 28th I have an agent spotlight interview with Sally Kim and a query critique giveaway

Tuesday, April 1st I’m participating in the Honey Bunny Giveaway Hop

Wednesday, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders 

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Wednesday!






Debut Author Interview: Carol Baldwin and Half-Truths Giveaway

Happy Monday Everyone! I’m excited to have debut author Carol Baldwin here to share about her YA Half-Truths. She’s also a blogger friend and part of the MMGM (Marvelous Middle Grade Monday) group, so it’s especially exciting to celebrate her upcoming book release. I enjoy historical fiction and am looking forward to reading her book.

Here’s a blurb of Half-Truths:

It is 1950, and 15-year-old Kate Dinsmore wants to become a journalist. But, her tobacco-farming father can’t afford to send her to college. She devises a plan to move from rural North Carolina to her wealthy grandparents’ home in Charlotte in hopes of gaining their financial support. Now she has a new set of problems. How can she please her society-conscious grandmother and conform to her new classmates’ lifestyles? 

She meets Lillian, her grandmother’s teenage maid, and despite their racial differences, they form a tentative friendship. While exploring her grandmother’s attic, Kate unearths a secret that rocks her world and Lillian’s too. The shocking discovery reveals half-truths that threaten the girls’ friendship. What will Kate do when she must choose between Lillian and her new society friends?

Through a mentorship with a newspaper editor, Kate realizes that journalism requires honesty. But, the risks of truth-telling make Kate question herself. If she reveals what she has learned, what price will she pay? 

Hi Carol! Thanks so much for joining us. 

1. Tell us about yourself and how you became a writer.

Thanks for having me, Natalie. It’s an honor to be featured on your blog.

I’ve been writing ever since junior high. I had several pen pals and wrote angst-filled poetry that I tried to publish. I kept a journal for many years which helped me translate my thoughts and emotions into words. As a child, my mother told me I had a way with words. Her belief in me gave me confidence. One of these days I need to dig out some of my early “writings” that my mother saved! In high school, I worked on the school newspaper, and I published my first article in college.

2. Where did you get the idea for your story?

I moved to Charlotte from the Northeast almost 40 years ago and was curious about my new hometown and this part of the country. Over the years, I learned about the South and Charlotte. Unfortunately, many historical homes and places were not preserved in Charlotte. I started wondering what the history was “under my feet.” What had happened in areas that I walked or biked through that were now covered up by buildings or asphalt?

For a long time, I had wanted to write a book for teens, and as I became curious about what led to Blacks gaining civil rights, I began to think about a story that would incorporate this struggle. I imagined a young White girl who moved to the city of Charlotte from a farm and what her struggles would be to fit into her new world. Given the racial tensions of the time, I wanted her to meet a Black girl and form a friendship despite their differences and many conflicts. 

Your Writing Process

3. Your story is set in the 1950s in Charlotte. What research did you do about life in the 1950s in Charlotte to get these details right?

There were three main sources for my information:  books and articles I read, people I interviewed, and places I went to. First, I read about Charlotte, about the 1950s, about the conflict in Korea (at one point that was going to be a bigger part of the story); about fashion, people, and the news. You name it, I wanted to know my setting as well as possible. In the early stages, I read articles from The Charlotte Observer on microfilm. More recently, I’ve read stories archived online which is a lot easier! I also found information in other periodicals and on the internet.

Second, I interviewed close to 100 people who lived in Charlotte during the period or had heard stories from family members. Bits and pieces of their stories got woven into mine. Often it was hard to figure out what not to include!

Third, I visited places. In the End Notes of Half-Truths, I talk about visiting a former Rosenwald School in Charlotte. The personal stories of the two men I met and a picture on the school’s wall were pivotal in creating my plot. I visited the remains of an African American cemetery less than a half mile away from an upscale mall and restaurants. That cemetery was part of the inspiration for the cemetery scene in Half-Truths. I visited the Second Ward Alumni House and met alumni Vermelle Ely and Price Davis.  Over the course of many conversations, they showed me how important their Black high school was to the community and gave me a picture of what life was like for Black teenagers in the 50’s in Charlotte. 

4. Wow! You did a ton of research. Were you a plotter, panster, or a combination of both? How long did it take you to write and revise your manuscript before trying to get it published?

I am definitely a plotter. Since my previous experience was writing articles in magazines and newspapers


and two nonfiction books, I wasn’t comfortable plunging into fiction. I needed a road map. I created detailed outlines which often changed, but helped me visualize the plot, chapters, and scenes. 

It’s been 18 years from pre-writing to publishing Half-Truths. I had written nonfiction and knew I had decent writing skills, but I didn’t have the skills to write fiction. That’s an entirely different ballgame! The story grew, morphed, and solidified over those years, but the kernel of it stayed the same. And, in the process of drafting and revising I learned how to write a novel!

5. You are certainly dedicated to your story. How did your story become stronger through the editing process you went through with your publisher, Monarch Educational Services?

Jen Lowry, my publisher, loved the story but encouraged me to make my protagonist more likable and less selfish. Jen also helped me to dig deeper into my characters’ perspectives as I developed their thoughts, emotions, and motivations. She pointed out places where my protagonist wasn’t true to her character.

Your Road to Publication

6. Share about your road to publication. Did your job with Monarch help you get your publishing contract?

I queried many agents, approached a few publishers with whom I had personal contact, and submitted the manuscript to publishing houses who considered unagented authors. Although I received some interest, nothing panned out. A fellow author told me about Monarch and their emphasis on books that are clean reads. I sweated over my query, but Jen replied within hours that I should send her the full manuscript. I was ecstatic! I signed with her a few months later. Since Monarch is small, I kept asking Jen how I could help her with her work. She could tell I liked connecting with people, so she assigned me the job of being Monarch’s volunteer publicist. 

7. What a great road to publication story. You are not represented by an agent. Did that make negotiating your contract more challenging? What tips do you have for other authors signing publishing contracts without an agent?

Jen offered a very fair contract and I didn’t feel the need to negotiate it. Sorry, I don’t have any tips for authors!

Promoting Your Book

8. I know you’re organizing a blog tour in late March. How did you decide on which bloggers to ask to participate? What else are you planning?

I contacted kidlit bloggers who I have virtually met over the years, including my fellow MMGM bloggers. Since Half-Truths is coming out on April 2, National Reconciliation Day, I contacted The Levine Museum of the New South and suggested a panel discussion on reconciliation. The director was interested and I invited three local authors to join me for the event, “Reconciliation Through Story.”  I am also having a launch party at the local indie store on April 5 and (hopefully!) a virtual launch event on Instagram on April 3. I’m still working on that. 

9. You’re a publicist at Monarch Educational Services? How has your experience shaped your marketing plan for your book? Please share tips on how other authors should help promote their books.

That’s an excellent question! Marketing and promoting books are HUGE jobs. You can read my blog Nine Tips on How to Be Your Own Publicist for the answer. Now that I’m in the middle of promoting my book, I would add a tenth tip: Keep in mind that you can’t do everything. Pick and choose what works for your time, energy, and budget.

10. Your last tip is a really good one. Other authors I’ve interviewed say the same thing. What are you working on now?

Right now promoting Half-Truths is my priority. When the dust settles I want to get back to a prequel to Half-Truths. Out of the Flame is a middle-grade book about Half Truth’s protagonist’s grandfather. Here’s the pitch: At the turn of the 20th century, a young factory worker is surrounded by deafening noise, blisteringly hot glass, and mind-numbing exhaustion. There is no end in sight until he finds mysterious notes from a boy who lived this life 150 years earlier.

Thanks for sharing all your advice, Carol. 

You can find Carol here. You can preorder Half-Truths through Barnes & Noble

Carol is hosting a separate preorder giveaway (separate from the Literary Rambles giveaway), U.S. addresses only. If you preorder the book and send Carol the receipt, she’ll send you swag!

Giveaway Details

Carol is generously offering a paperback of Half-Truths for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by March 29th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or follow Carol on her social media sites, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. 

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, March 19th I have an agent spotlight interview with Shari Maurer and a query critique giveaway

Monday, March 26th I have an agent spotlight interview with Amy Thrall Flynn and a query critique giveaway

Wednesday, March 28th I have an agent spotlight interview with Sally Kim and a query critique giveaway

Tuesday, April 1st I’m participating in the Honey Bunny Giveaway Hop

Wednesday, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders 

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Wednesday! 


Chasing Rainbows Giveaway Hop

 


Happy Sunday! Today I'm excited to participate in the Chasing Rainbows Giveaway Hop hosted by MamatheFox and Mom Does Reviews. I hope you're having a good month. It's finally gotten warm here, and I'm enjoying taking my dog for daily walks and starting to work in my yard,
 
 Book of Your Choice or Amazon Gift Card

I am offering a book of your choice that is $20 or less on Amazon. I’m looking forward to seeing what books everyone is looking forward to reading.

If you don’t have a book you want, you can win a $10 Amazon Gift Card.

Giveaway Details

To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by March 31st telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. Be sure to include your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops

Tomorrow, March 17th I have an interview with debut author Carol Baldwin and a giveaway of her upper MG/YA Half Truths

Wednesday, March 19th I have an agent spotlight interview with Shari Maurer and a query critique giveaway

Monday, March 26th I have an agent spotlight interview with Amy Thrall Flynn and a query critique giveaway

Wednesday, March 28th I have an agent spotlight interview with Sally Kim and a query critique giveaway

I hope to see you tomorrow!

And here are all the blogs participating in this blog hop:
 

(Linkup closed)
MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.